If a reliable, great sounding mic, with a classic vintage look is what you’re after, I highly recommend it. String Instruments & Sections The review model had a burnished-satin nickel finish although a matt-black chrome alternative is also available. But I suppose, since its a Royer…one option is really all we need, huh? Each mic is positioned at 90 degrees relative to the other, making it perfect for either Blumlein Pair or M/S stereo recording. We expect you to own it for as long as you record, and we’ll stand behind it the whole way. To perform this technique, you need not ONE, but TWO figure-8 mics, angled at 90 degrees from each other. Like most ribbon mics, it has a standard figure-8 polar pattern, which for vocals, can work especially well for singing duets. Back when Royer Labs first built the Royer 122, it was the FIRST EVER ribbon mic with active electronics. Extremely low residual noise Gain Conventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. The microphone utilizes a special Royer-designed toroidal transformer that delivers a faster transient response then traditional ribbons, making it a first call ribbon mic for drum overheads, percussion and all acoustic instruments. Available immediately. For some reason, virtually all ribbon mics use figure-8 polar patterns. Sensitivity: -47 dBv Re. Like most ribbons, the Royer R-121 Live's pattern is figure 8, its … The Audio Technica AT4081, at less than HALF the price of a Royer 122, is one of the only active ribbon mics even semi-affordable to the average person. No more fiddling around with two separate mics. Polar Pattern: Figure-8 The romance we once had with our mic collection grows tiresome…. Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. Equal sensitivity from front or back of element Lucky for us, there’s the Avantone Audio CR-14. It’s an especially popular microphone for vocals…despite being intended more a multi-purpose mic. Horn Sections I had a Royer 121 and after getting the Peluso I sold the Royer. Most are $1000 and up. We did away with the large, heavy, fragile “classic” approach to ribbon microphones and went in a completely new direction. But that’s where the similarities end. As it turns out…one of the only mics commonly sold as a matched pair is the Royer 101’s. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. The problem is…the active ones are even more expensive than the passive ones. The Royer 121 is ALWAYS my goto mic other than a dynamic (57 or 402) - words cant really describe what it offers, dynamics pick up a lot of the mid/uppermids, and the royer does the … Frequency Response: 30 -15,000 Hz +/- 3dB The AEAR84‘s “pill-like” capsule design, closely resembles that of a large diaphragm condenser. But what happens when the situation doesn’t call for a figure-8? It is perhaps the ONE and ONLY ribbon mic offering a hypercardioid design…making it the only viable option for dozens of recording situations unsuitable to any other ribbon mic on the market. Also check out the active version of this mic: the Royer SF-24 – (Amazon/B&H/GuitarC/MusiciansF/Thomann), At last, we’ve reached the final mic on the list…. £1,211 Add to Basket: 15% bought beyerdynamic M160: £411: 14% bought the t.bone RB 500: £88: 7% bought the t.bone RB 100: £61: 7% bought Royer Labs R-10: £489: Our most popular Ribbon Microphones: Related Products. Now the CR-14 might be tops among affordable passive ribbon mics…, But in the active category, there’s no better deal than…. The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: “…the Royer R-121 is destined to become one of the classic microphones of the 21st century.” Like many of the best classic ribbon mics, the R-121 … Standard Delivery Times. With the SF-12, you just plug and play. Consistent frequency response regardless of distance, Electric Guitar Amps Output Impedance: 300 Ohms @ 1K (nominal) Drum Rooms In its 10+ years in the market, thousands of R-121’s have been sold around the world and it’s well established as a standard for tracking electric guitar and brass. Woodwinds A shiny new ribbon mic could be just the answer you’ve been looking for. Recently they were honored with a Technical Grammy Award in 2013, for their amazing contributions to the recording industry over the past several decades. Available immediately. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. Patented Offset Ribbon Technology Magnets: Rare Earth Neodymium 65% of the time the 121/57 combo nails it. Ribbon element is not affected by heat or humidity Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. If these mics are too pricey for you, here’s one you’ll like better: Ribbon mics are DAMN expensive. Cranked up electric guitars, close up brass, drums – you name it, the R-121 will help you record it with realism you have to hear to believe. The technical specifications are impressive, especially when compared to the ribbon mics of yesteryear! We did away with the large, heavy, fragile “classic” approach to ribbon microphones and went in a completely new direction. Output Connector: Male XLR 3 pin (Pin 2 Hot) Commercial Broadcast, Acoustic Operating Principle: Electrodynamic pressure gradient To help you choose one, in this post I share with you my list of: The 7 Absolute Best Ribbon Mics for Home Recording. 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